I seem to do most of my blogging when I'm at home sick. Well now that I've got a cold, here's a backlog of interesting links on the web.
MacWorld Review: AppleJack 1.5
This is a piece of shareware for servicing your ailing Mac. It's a command-line utility, that helps simplify running some commands that can help fix your Mac. Includes a copy of memtest, which does a thorough check of your memory that helps diagnose bad RAM.
MacWorld First Look: boxee
boxee is an application for accessing digital media that is on your computer and on the internet. It's in alpha right now (I've run into quite a few bugs). But it's a promising concept that illustrates well the future of TV. It's got a 15-feet interface, so you can sit back on your couch and control the app with your Apple Remote. Lets you access Hulu (watch The Daily Show, 30 Rock) and (just added) Netflix support. So you can use the boxee interface to navigate and watch Netflix video that's in your Instant queue (oh, that's something that NetFlix recently allowed on Mac's--you don't need boxee to do that.) boxee runs on Mac's, Linux, and on Apple TV. You can sign up to get into the alpha release or ask a friend for an invitation. I wish Apple TV had this functionality built-in--Apple needs to up their game if they want to stay competitive with hardware and software for entertainment in the living room.
Digital Rebellion: How to keep your job as an editor
This article cover some technical gotchas that will mar your work and how to fix/avoid them in FCP. It goes over my current pet peeve--incorrect field dominance. I've been seeing more and more of this recently. Unfortunately, DV video uses a standard, lower-field dominance, that is very rare in video. Most other formats, like HDV, are upper-field dominant. You can run into a lot of problems when you mix formats in a timeline like DV and HDV. All of this is made more complex because anyone working in HD is probably not using a display that is interlaced--so it's easier to miss these problems. That's one reason why I'm not going to give up on my CRT any time soon--you've got to be checking for interlacing issues.
AppleCare Articles
Convert MP3 and AAC audio files for compatibility before importing
I've run into some weirdness recently with 44 KHz audio files in FCP--if they get rendered then the audio is from a different part of the track then it should be. Solution: convert the audio file to 48 KHz as described in this article.
Creating an Easy Setup for capturing DV with 32 kHz audio
Speaking of audio issues... For those of us still working in DV, once and a while you'll run into some audio at 32 KHz, instead of the usual 48 KHz.
Restoring a DV device connection in QuickTime 7
Can't say I've ever done this, but I've definitely run into issues with DV device connection in FCP. Maybe this will do the trick for you.
A couple of good lists of video tools:
Final Cut User: My Compression Tools
The DV Show: Big List of Video & Audio Converters Mac, PC, and online applications and tools
slashCAM: HD Camcorder Comparison
Looking for a new camera below $10K? This is a great resource. A giant database of specs that you can access in a comparison layout. Also has test shots, and some review info.
Vincent Laforet: 7 DAYS, 7 SHOOTS - EOS 5D MKII
A very beautiful-looking video shot with a Canon digital SLR camera. I haven't been blogging about video on DSLR's--there are a lot of pitfalls to this approach. But check out the video, just to get a sense of how pretty low-cost video could look.
Larry Jordan: Fixing Fluorescent Flicker
This is a nasty problem that I've seen a lot in footage that comes from developping countries. It's caused by cheap fluorescent lighting (can't say I've ever seen it in footage from the States.) This solution won't fix every bad shot, but it could help.
Kensington Mice and After Effects CS4
Oh, we've got a copy of Adobe Production Premium CS4 in house. I'm excited to check out the new 3D features (including real 3D models). One new 3D feature relies on a 3-button mouse. This article helps you set up your current mouse to work as a 3-button input device.
Studio Daily Blog: Multiuser
This looks like a handy piece of software that will set up different user settings on the same computer.
FxFactory Freebies: Pan and Zoom
A free plug-in for FCP. Looks good for stills. I'd avoid applying this to standard-def footage, as SD footage looks like crap when it gets scaled up (especially if it's interlaced.) But I'm much more open to zooming in on HD footage. Just make sure that you capture your HDV footage as native HDV and that the deck isn't downconverting it over firewire. (Caveat: watch out for our old-frenemy interlace flicker if you put your HDV footage in a DV sequence.)
Showing posts with label web video. Show all posts
Showing posts with label web video. Show all posts
Thursday, December 4, 2008
December Blogwad
Labels:
3D,
Adobe,
After Effects,
Apple TV,
audio,
Camcorder,
Final Cut Pro,
freeware,
interlaced,
plug-in,
production,
web video
Sunday, August 24, 2008
How I Download Flash Videos
Here's how I download Flash video. I'll use YouTube as an example, but I've found that the method works on other flash video, but not by any means all online video.
1. Start playing the movie in Safari.
2. Open the Activity Window in Safari. It's under the Window menu.
3. Find the movie in the Activity window. The Activity window lists a lot of things, like all the graphics on the webpage (and for all open pages.) But I usually find movies because they are the largest--in the MB's not KB's. Also the movies size is usually changing--as long as the movie is downloading.
In the image below, the movie is the file 3rd item from the bottom whose name starts with v6.cache.googlevideo.

4. Select the movie file in the activity window and copy it. This will copy the location of the video.
5. Open a new browser window and paste the movie's location in the address field.

6. Safari starts downloading the video. Download window should automatically open.

7. Wait for the video to finish downloading. Then find the video file. The magnifying glass next to the file in the Download window will take you to it. In OS.10.4 it's probably on the desktop. In OS 10.5, it's probably in the Downloads folder.
8. Rename the file to add the .flv suffix if it doesn't already have the .flv suffix, e.g., get_video.flv. You might as well add a descriptive title too while you are at it.
Now to work with flash video on the Mac, I use the free Perian plug-in. It lets QuickTime recognize the file, so that you can use it in Final Cut Pro or any app that uses QuickTime.
YouTube now has better quality video available on some videos. Check to see if the video you want is in better quality before downloading. If there is higher quality video, then you'll see the link below the movie "watch in high quality."

Click on that link and then follow the instructions above to get a much better looking video from YouTube.
Earlier this summer I posted a link to a post from Final Cut User that recommends transcoding the flash to something that FCP is used to working with, like the DV codec. I haven't had any problems working with Flash video, but it could speed up your workflow if you don't have to render the movies in the timeline.
1. Start playing the movie in Safari.
2. Open the Activity Window in Safari. It's under the Window menu.
3. Find the movie in the Activity window. The Activity window lists a lot of things, like all the graphics on the webpage (and for all open pages.) But I usually find movies because they are the largest--in the MB's not KB's. Also the movies size is usually changing--as long as the movie is downloading.
In the image below, the movie is the file 3rd item from the bottom whose name starts with v6.cache.googlevideo.

4. Select the movie file in the activity window and copy it. This will copy the location of the video.
5. Open a new browser window and paste the movie's location in the address field.

6. Safari starts downloading the video. Download window should automatically open.

7. Wait for the video to finish downloading. Then find the video file. The magnifying glass next to the file in the Download window will take you to it. In OS.10.4 it's probably on the desktop. In OS 10.5, it's probably in the Downloads folder.
8. Rename the file to add the .flv suffix if it doesn't already have the .flv suffix, e.g., get_video.flv. You might as well add a descriptive title too while you are at it.
Now to work with flash video on the Mac, I use the free Perian plug-in. It lets QuickTime recognize the file, so that you can use it in Final Cut Pro or any app that uses QuickTime.
YouTube now has better quality video available on some videos. Check to see if the video you want is in better quality before downloading. If there is higher quality video, then you'll see the link below the movie "watch in high quality."

Click on that link and then follow the instructions above to get a much better looking video from YouTube.
Earlier this summer I posted a link to a post from Final Cut User that recommends transcoding the flash to something that FCP is used to working with, like the DV codec. I haven't had any problems working with Flash video, but it could speed up your workflow if you don't have to render the movies in the timeline.
Sunday, July 20, 2008
Summer Blogwad
I'm just dumping some interesting links here to check out.
Digital Rebellion: Recommended QuickTime and Mac OS configurations for Final Cut Pro
A list of recommended combos of FCP, Quicktime, and OS versions. Let's just call this why not to update your systems unless you absolutely need to. On the other hand, it sucks being caught in FCP 5.1.4 world while everyone else has moved on. That's more of a money issue than a technology issue though.
Digital Rebellion: List of QuickTime downloads
A continuation of the theme of don't upgrade if you don't have to. If you have to upgrade but it's not to the latest and (ahem) greatest, then this page will help you find the appropriate upgarde for QuickTime. Similarly, the LAFCUP has a wiki page on Quicktime updates.
Little Frog in High Def: APPLE PRO APPS UPDATE 2008-02
Good advice on downloading all updates to Final Cut Pro even if you don't intend to upgrade. The reason is that Apple doesn't make old updates available for FCP (unlike QuickTime). There are situations where you might want to upgrade but not to the latest version--if you don't have the update then Apple isn't going to help you. You can download updates through Apple's Final Cut Pro page--you don't have to upgrade through the Software Update control panel.
Final Cut User: Using FLVs in Final Cut Pro
Some good tips on using video downloaded from the web from sites like YouTube. I didn't know about using the QuickTime wrapper to help the editing of FLV's--sound like a helpful tip.
"Ten Tips For A Better Final Cut Pro Experience"
This is a good read. An experienced editor wrote down 10 good tips. Good write-up on media management. Also some interesting tips on multicam, amongst a number of other good ideas.
kenstone.net: Color Workflows With Different Types of Sources
By Andrew Balis
Want to work in Color? This seems like a good guide for getting footage in and out for your next go as a colourist.
Overview Video on Sony EX3
I don't think I've talked about the Sony EX3 because I think the MSRP was over $10K and that's my cut-off point for talking about cameras. But it lists for under $10K, and it looks like a good upgrade to the Sony EX1. I've been hearing about and seeing folks use the EX1. Seems like the XDCAM format on SxS memory cards could take off.
ProLost: On Clipping, Part 1
Very tech-y. But interesting to get a theoretical understanding of how video works. Folks interested in Red should read. It helped me understand why there is more grain in dark areas of video than in light areas. Also discusses important differences in how film and video represent light.
ProLost: Go Naked pt. 2
A good example of the guerrilla filmmaking model as described in Stu Maschwitz's "The DV's Rebel Guide." More interesting to me is that Vimeo not only streams HD, but allows downloads too of Quicktime movies (the film shown is downloadable at 1280x720). You can upload up to 500MB per week to Vimeo. An interesting way to share footage encoded in h.264--nice that it allows both streaming and downloading.
stockfootageforfree.com
Not awesome but could help in a pinch. I did about 10 searches on foreign countries, and the only video I got was touristy stuff from Cancun. Some OK shots of D.C., SF, and NYC. [via freshdv.com]
Digital Rebellion: Recommended QuickTime and Mac OS configurations for Final Cut Pro
A list of recommended combos of FCP, Quicktime, and OS versions. Let's just call this why not to update your systems unless you absolutely need to. On the other hand, it sucks being caught in FCP 5.1.4 world while everyone else has moved on. That's more of a money issue than a technology issue though.
Digital Rebellion: List of QuickTime downloads
A continuation of the theme of don't upgrade if you don't have to. If you have to upgrade but it's not to the latest and (ahem) greatest, then this page will help you find the appropriate upgarde for QuickTime. Similarly, the LAFCUP has a wiki page on Quicktime updates.
Little Frog in High Def: APPLE PRO APPS UPDATE 2008-02
Good advice on downloading all updates to Final Cut Pro even if you don't intend to upgrade. The reason is that Apple doesn't make old updates available for FCP (unlike QuickTime). There are situations where you might want to upgrade but not to the latest version--if you don't have the update then Apple isn't going to help you. You can download updates through Apple's Final Cut Pro page--you don't have to upgrade through the Software Update control panel.
Final Cut User: Using FLVs in Final Cut Pro
Some good tips on using video downloaded from the web from sites like YouTube. I didn't know about using the QuickTime wrapper to help the editing of FLV's--sound like a helpful tip.
"Ten Tips For A Better Final Cut Pro Experience"
This is a good read. An experienced editor wrote down 10 good tips. Good write-up on media management. Also some interesting tips on multicam, amongst a number of other good ideas.
kenstone.net: Color Workflows With Different Types of Sources
By Andrew Balis
Want to work in Color? This seems like a good guide for getting footage in and out for your next go as a colourist.
Overview Video on Sony EX3
I don't think I've talked about the Sony EX3 because I think the MSRP was over $10K and that's my cut-off point for talking about cameras. But it lists for under $10K, and it looks like a good upgrade to the Sony EX1. I've been hearing about and seeing folks use the EX1. Seems like the XDCAM format on SxS memory cards could take off.
ProLost: On Clipping, Part 1
Very tech-y. But interesting to get a theoretical understanding of how video works. Folks interested in Red should read. It helped me understand why there is more grain in dark areas of video than in light areas. Also discusses important differences in how film and video represent light.
ProLost: Go Naked pt. 2
A good example of the guerrilla filmmaking model as described in Stu Maschwitz's "The DV's Rebel Guide." More interesting to me is that Vimeo not only streams HD, but allows downloads too of Quicktime movies (the film shown is downloadable at 1280x720). You can upload up to 500MB per week to Vimeo. An interesting way to share footage encoded in h.264--nice that it allows both streaming and downloading.
stockfootageforfree.com
Not awesome but could help in a pinch. I did about 10 searches on foreign countries, and the only video I got was touristy stuff from Cancun. Some OK shots of D.C., SF, and NYC. [via freshdv.com]
Labels:
Color,
Color correction,
Final Cut Pro,
Flash,
h.264,
Macintosh,
Quicktime,
stock footage,
web video,
XDCAM,
XDCAM EX
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