Macworld Reviews Final Cut Studio 2 (Updated)

UPDATE: Macworld added their review for Compressor. Highlights of Compressor 3: Optical flow does good job frame rate conversion (e.g., 60i to 24p), easier clustering (including on one system), streamlined interface (oh no, does that mean we have to bid adieu to Batch Monitor!?), watermarking, more formats supported.

MacWorld has revews of all the new apps in Final Cut Studio 2, except for Compressor. Worth a read, especially if you haven't been keeping up on what's new in these Apps

Motion 3
I think the first paragraph really sums up the value of Motion:

Motion, Apple’s motion-graphics and video-processing software, has always stood apart not so much for what it does but the way it does it. In many visual and video tools, you spend much of your time preparing graphics and then watching rendering progress bars, but Motion’s workflow is built around real-time adjustment and experimentation. With Motion 3, Apple has focused on the major capabilities previous versions lacked: motion tracking and stabilization, painting tools, and a true 3-D graphical environment to augment speed and easy, improvisational control. Motion may not become your only motion-graphics program, but it could easily become your favorite tool for quickly creating visuals

Color
Caveats galore for Color--just because you edited something in FCP doesn't mean that it will work in Color. This article doesn't even mention the problems with the HDV format that the Creative Cow mentioned. I imagine when I start using Color, it would just be for a shot or two at a time and not taking in a whole project. So far, this is how I've also used...

Soundtrack Pro 3

Final Cut Pro 6
Review by Mike Curtis of HD4ND's fame.

Final Cut Studio 2 gets x.0.1 Updates

All the apps in Final Cut Studio get updates--looks mostly like bug fixes. HD for Indies has good coverage of what is in the update here.

One big addition is support for the AVCHD format, which is mainly consumer-oriented. However, Panasonic has been using it widely, including within its pro line of cameras with the small AG-HSC1U

More Scope Software

This is a follow-up to a recent post about using software to mimic a waveform monitor and vectorscope. A dedicated pair of waveform monitor and vectorscope aren't cheap--for composite video, new can cost you almost $4K. I've tried buying used ones, and it is a pain. For a decent used set from a reliable vendor for composite analog video, you are looking at $1,500 easy. While I really like being able to have a dedicated display for my levels, some new software apps are worth looking into.

Hamlet Vidscope-VX a Windows-only application. I read a short plug for this recently in the Creative Cow magazine (offline only). The HD version is supposed to go for $995. The SD version for $665. Seems steep but in comparison to a dedicated waveform monitor and vectorscope it is reasonable. You'd need a host PC and capture hardware for the setup.

ScopeBox is a Mac app. This is geared toward production, but it looks like it will do a strong job of mimicing a waveform and vectorscope from the demos on their web site. $799 for HD (doesn't handle HDV), and $399 for SD.

VeeScope Live from the makers of DVDxDV comes in at $99. Again, geared toward production. I haven't tried it out, but I'm not even sure you can get a simultaneous display of vectorscope and waveform.

Adobe OnLocation CS3 part of Adobe Premiere Pro CS3 ($799 retail, under $400 nonprofit). Adobe incorporated an app called DV Rack into the new Adobe Premiere and changed the name to OnLocation. OnLocation only runs on Windows but it looks like it will come bundled with the new Mac version of Adobe Premiere.

And of course, there's always Final Cut Pro. You can also turn on the Video Scopes in Final Cut Pro to get an idea about both video and audio levels. These setups alway require a host computer that should be pretty much dedicated just to this task. And these Mac programs tend to recommend beefy systems. You also need to get video into the system. Firewire might work, but a dedicated capture card might work better too.

DIY C Stand

Here's an interesting article describing how to build your own C stand for $30 using plumbing pipes. Seems like just the kind of thing for Link.

[via FreshDV]

High-Def Camera Monitornig Software

Monitor Magic does DV and HDV monitoring for $89. I've always struggled about the real value of these monitoring applications for me. After all, you can just use FCP's capture tool to monitor DV and HDV and get scopes too. But Monitor Magic has a nice new feature. You can mointor more than one camera at the same time. That seems like it would be pretty taxing on a computer. They recommend at least a G5 or Intel chip for HD--so no old iBooks or PowerBooks for monitoring an HDV signal 14-day preview version is available.

UPDATE: VeeScope Live $100 from the makers of DVDxDV will also display multiple inputs.

Tutorials and Demos Galore

"A look at lights in Motion 3"

"Click-thru Tutorial: Magic Bullet Looks"

"Click-thru Tutorial: GenArts Sapphire"

"Creating Node Trees in Color and the special case of interlaced video "

"Creating Footage with Shatter and Particle Playground" (After Effects)

These are all worth a look. New features in Motion and Color. No shadows in Motion 3--darn. Magic Bullet and Sapphire aren't something that I'll be using anytime soon, but it's interesting to see what they can do & gives me a few ideas. I haven't used particles in After Effect, but this article could get me started.

Multiple Instances on Compressor 3

"How to Make Compressor 3 Encode much, MUCH faster"

HDforIndies.com shows you how to increase the number of instances for rendering in Compressor 3. This can help maximize CPU usage if Compressor isn't using as much CPU as it can. It also refers to a BareFeats article that has some examples of how much multiple instances can improve rendering time.

MPEG Streamclip Review

Here's a gushing review of the free MPEG Streamclip. I haven't used MPEG Streamclip in a while. This article recommends it for converting DVD's to DV but I never got that to work with interlaced footage. Maybe I should try again with the newest version. Mentions that it does a good job transcoding Flash videos and also includes some iPod presets for h.264 encoding. The article talks about how to edit with MPEG Streamclip. I also wrote about this a while back in this post.

UPDATE: A second post goes into a lot of basic how-to's for all kind of copying and trans-codings for DVD's and Flash movies. Includes a "Mac All-Star Video Software Links".

More Creative Cow on ProRes

"Part 2: ProRes for HDV, with a splash of Color"

More nitty gritty fromt the Creative Cow on using ProRes 422. Here's my big takeaway:

PPPS. Just so there's no question here: most (but not all) of you are certain that native HDV capture is the way to go. Skip AIC. Skip DVCPRO HD. Just render to ProRes.

PPPPS. Of course, some of this changes once we add a little Color.

So basically if you have HDV footage you can capture it as HDV over firewire, and don't need to think about how you would transcode it to ProRes or rig your system to capture it to ProRess, which you can't do while capturing over firewire. Capture to HDV, but render in the timeline to ProRes 422.

Apparently sending HDV to Color and then rendering back to ProRes is totally screwed up. All your clips get out of sync. Seems like Apple didn't put the kind of quality control into Color as they do FCP before releasing.

Also an interesting note about removing pulldown on 24p footage, as an update to my previous post. Compressor 3 has a smart pulldown remover where you don't have to worry about the cadence of the pulldown. The downside is that you lose timecode.

And the article says that capturing to standard-def ProRes 422 is OK on a Quad G5. But for HD ProRes you need at least a quad-core Intel.

Sony V1U and 24fps

"Editing the V1's 24p in Final Cut Pro: A Workaround"

The Sony V1U is the first HDV camera to shoot real 24 frames per second with 1080 lines of resolution. There's no native 24fps editing of this format in FCP (yet.) In the mean time, this article describes a workaround to edit in true 24fps mode your 24fps HDV 1080 footage. Basic description of the issues with pulldown and removing pulldown is in the article too
[via FresHDV]

UPDATE: HD for Indies has this post "Working with 24p for Canon HV20". Apparently, Compresor cannot reverse telecine fromt the HDV codec. Its reverse telecine won't work with interframe compression schemes. Thus you have to transcode the HDV footage to AIC (Apple Intermediate Codec) or ProRes 422 to get get Compressor to reverse telecine.

HD Discs and Macs

Steve Jobs' keynote at WWDC was a bit of a downer. No new great hidden features were revealed, just some Finder improvements. Some of the new iChat stuff was interesting. I could see using the iChat Theater to review an edit. The iChat Screen Sharing could help me show my parents how to do stuff on their Macs. The ability to easily set up access to a remote computer with .Mac could be handy if I can get it to work with the company firewall and get into my office network.

I was hoping there would be an annoucement about Mac's supporting either Blu-Ray or HD-DVD, so we could get a little high-def movie action on Mac's. Vista can handle playback of these formats, and PC makers are already selling desktops and laptops that will playback both formats, but nothing for Mac's. Is Apple hoping to make a splash of their own with a high-def movie rental service? I hope they don't treat HD-DVD and Blu-Ray as threats and ignore support. For us video professionals, we can't afford to lose support for any type of major distribution format because Jobs is trying to capture the market on digital movies, like he did with digital music.

"Leopard to support HD DVD and Blu-ray?"
"Apple shooting for autumn launch of film rental service - report"

After Effecst CS3--Runs Faster

"Adobe After Effects CS3: Cranking it up to 11" from Studio Daily
"ADOBE AFTER EFFECTS CS3: A justification for buying an 8-core Mac Pro" from Bare Feats

Reviews and tests of CS3 are rolling in. To me, the big news is that CS3 is running much faster on both G5's and Intels. The last version After Effects 7 was not a Universal Binary and wasn't designed to run on Intel chips. But looking at Bare Feats tests, there are big performance gains to be had for G5 owners too by upgrading to CS3.

The other big feature that I would use is 3-D text animation. Good thing Adobe added this, otherwise Motion would really begin to push past After Effects on the features for the type of quick-n-dirty motion graphics that I do.

Digitial TV Conversion

"Converters Signal a New Era for TVs" (registartion required)

This is a good article about the upcoming switch-off of analog over-the-air TV, which I actually still use. The article discusses the government program to help subsidize the purchase of digital TV converter boxes, so that folks like me can still use our analog TV's and get free TV after the switch-off.

I tried out digital over-the-air TV, which runs on the ATSC system, a couple of years ago when I bought one of these digital receivers. The reception was poor, much worse than with analog TV, and the receiver was expensive--over $150. So I returned it to the store and have been happily watching "Lost" in analog since then. This NYT article says that manufacturers are aiming to start selling these next year for $50-$75. Hopefully either the reception of the tuners or tranmission by the broadcasters is better then than what I saw 2 years ago--or I may have to start paying for TV.

UPDATE: There's an in-depth article over at Consumer Reports on getting over-the-air digital TV.

Creative Cow on Apple ProRes 422

"The Wisdom of the Cow: Apple's ProRes 422 Codec"

This is a good article that summarizes insights on the ProRes 422 codec gleamed from posts on Creative Cow's boards. Nice to get some real user feedback on this new feature of FCP 6.

One thing that has come out is that if you want to transcode HD to ProRes 422, you need an Intel MacPro or an AJA I/O HD. It's too processor intensive to be done while capturing, even by a Quad G5. The AJA IO HD handles the transcoding itself, but with other hardware from AJA and Blackmagic the CPU has to handle the transcoding. However, slower computers can still render HD video to ProRes 422. Nothing definitive on transcoding to SD while capturing, but this should be much less processor-intensive than HD footage.

Motion Tracking Tutorial

"Warp Speed Workflow #5: First Look: Motion Tracker in Motion 3"

This is a helpful tutorial movie over at dvcreators.net. Shows you how to do motion tracking in the new vesion of Motion. Unlike Apple's demos where the motion tracking just magically works perfectly, this shows you what to do when there are problems. Basically, Motion is analyzing the video trying to follow a particular object around the screen, and it is only so smart. So when it gets distracted and loses track of the object you define, you have to set it back on the correct path.

At an Apple demo, they showed where Motion will suggest tracking points. I think maybe you hold down the Option key to see recommended tracking points, but I can't remember for sure.

Real video helps with saving videos

Real video seems to have fallen fatally behind in the video streaming arena, now that Flash has emerged as the dominant streaming video format and the powerhouses of Apple and Windows stay strong with their online media presence. But it sounds like Real is putting some interesting features into a new version of their player. They are making it very easy for users to download and save videos in a variety of formats (Flash, Windows Media, Quicktime, and, of course, Real.) They are also offering some features to burn video to discs for playback in DVD players. Read about this over at hardmac.com.

How much is that old Mac worth?

This is a cool site. mac2sell.net estimates the resell value of your old Mac. You enter in your specs and it guesses the value. I'm not sure how accurate it is, but it's a place to start when thinking about how much you might get if you want to sell (or how much is reasonable to pay if you want to buy.) My iBook G4 933 MHz is worth $440 according to them.

"Final Cut Pro 6 - A First Look"

Check out this article at kenstone.net. Goes into the new features in FCP 6 from an expert who's actually used the new stuff. Gives you a more hands-on feel for how things actually work, like Open Format Timeline, SmoothCam, round tripping, and more. When you're ready to start using FCP 6, I recommend this to get an overview of how to actually use some of the new features. [via camcorderinfo.com]

Photoshop CS3 Extended

"Photoshop CS3 Extended Review"

MacWorld UK gives an overview of the new features of Photoshop CS3 Extended, which is a new version of Photoshop with some specialized features. In particular, there are some new video and 3D features. You can paint frame-by-frame. Good for taking out dropouts, it seems to me. Also FX's work or rotoscoping.