Cool Camera Shootout

Zacuto's Great Camera Shootout '08

I recommend this video, which includes a good camera shootout.
The cameras/formats tested are:
35mm Film
Red One
Panasonic HPX3000
Panasonic HVX200 (with three 35mm lens adapters)
Sony EX3
Panasonic HPX170
Canon XH-A1
Canon 5D Mark II
Nikon D90
There's a long discussion at the start which you can skip through. This shootout I feel gives a good comparison of what you can get with these different kinds of setups, especially if you are going for a filmic or cinematic look. I recommend downloading the 1280x720 h.264 movie if you want to see more detail than you get with Vimeo's flash player. That's a good thing about Vimeo is that they give a higher-quality download option for their movies--just scroll down the page and look for the download link on the right column.

I'm most interested in the comparisons between the EX3, the HPX170 and the Canon XH-A1. The cheapest camera, the XH-A1, looked really good, and I really like how the HPX170 renders colors, more natural than the Sony camera. This test doesn't tell everything, by any means, (e.g., the EX3 is supposed to do better than its competitors in low-light), but it's a good place to start thinking about different cameras and what kind of images they create.

SD Cards in the Sony EX-1

This seems like some exciting bit of news. Apparently, folks have figured out how to shoot onto SanDisk SD cards with the Sony EX-1 and EX-3 cameras, instead of Sony's expensive SxS media.

The EX cameras are supposed to be great (see latest EX-3 review from Adam Wilt.). Excellent performance in terms of resolution and low-light sensitivity. Their 1/2" sensors work much better than the smaller 1/3" sensors in the Z1, Z5, Z7, HVX200, HPX170, and Canon cameras. The big problem for me with the EX cameras was shooting on the expensive SxS media. Like the Panasonic's P2 cards, these are much more expensive per GB than run-of-the-mill flash memory--e.g., $850 for 16GB of SxS Pro storage. It just wouldn't make sense when you are shooting a lot of stuff because the hassle of making sure all your footage was safe on hard drives all the time.

Well, this guy says you can use a 16GB SanDisk SD card for $60 that will do just about everything that Sony's $850 card will (the notable exception being over-cranking, used for slo-mo shots.) You just need a particular Kensington Expresscard adapter for $40 that you put in the camera.

It still doesn't make the the EX-1 ($6450 at B&H) a no-brainer for Link. That's still $60 to record about an hour at 35 Mb/s or 90 minutes at 25 Mb/s. The camera's more difficult to handle than the Z1 or Z5, or even Z7. Plus the Z5 has a 20x lens versus 14x lens for the EX cameras. And we are hardly ever delivering HD--so we usually downconvert in the deck, which is both a good and easy way to get SD footage from HD source material. If quality is what really counts, than the EX cameras are a real winner in the sub $10K range, but I think, but there are some significant drawbacks to the camera when compared to more practical, tape-based cameras like the Z5.

If you are seriously interested in this, then read the fine print here:
Overcoming the cost of SxS media: Introducing KxS.
Also, I don't know of anyone personally doing this. I would probably wait for some trustworthy sources to vouch for this before I committed to buying an EX camera.

UPDATE: Adam Wilt (a very trustworthy source) says that he's heard good things from Sony about working with off-the-shelf memory cards on the EX cameras in the comments section of this post on ProVideo Coalition.

I tried looking for the Kensington card reader, and it seems to be out-of-stock everywhere. Also read on a forum that it may have been discontinued. Not good news for this concept.

Panasonic Announces HVX200-lite Camera

Panasonic Aims for an AVCHD Future with AG-HMC150

After giving so much love to Sony's new HD cameras, I have to acknowledge Panasonic's newest announcement, the AG-HMC150. It looks like a HVX200 but without the DV tape transport and using SD/SDHC memory cards and not the more expensive P2. No price, but I'm guessing that it will be cheaper than the HVX200. It's expected to start shipping in the fall.

While it would be great to see some great competition for Sony, I have my concerns about this camera because of the AVCHD codec. You'll always hear marketing claims that AVCHD is supposed to be more "efficient" than MPEG-2--that's why AVCHD's bit rate is in the teen's and HDV's is usually 25 Mb/s. The only problem is that so far AVCHD cameras don't come close to HDV in image quality. Apparently, Panasonic will be offering some new "professional" bit-rate quality on the camera, but the lack of detail on this feature makes me skeptical.

Camcorderinfo.com, which has reviewed a lot of the AVCHD cameras out now, has this to say about the prospects for the AG-HMC-150.

Extensive testing of AVHCD camcorders in the consumer range by CamcorderInfo has shown that manufacturers have yet to produce a camcorder that can match HDV in overall quality. However, the lens and processing systems have so far remained strictly consumer-grade. The AG-HMC150 is the first AVCHD camcorder to come equipped with an imaging system this advanced, and may help overcome some of the image quality issues.

Expect to hear more news about this camera at NAB. If you want to know more about AVCHD, my latest wrap-up of AVCHD news is here.

Utility Offers Import of AVCHD on G5's, G4's

I read about a nifty looking utility in a Final Cut Express review at macworld.com. Voltaic is the missing link for PowerPC users who want to cut AVCHD footage.

The need for this utility arises from Apple's refusal to support AVCHD on PowerPC Macs--only newer Intel Mac's can convert AVCHD footage to something that you can edit. This applies to both iMovie '08, Final Cut Express, and Final Cut Pro. Voltaic lets PowerPC users convert their AVCHD footage to AIC (Apple Intermediate Codec.) AIC is supposed to be similar to ProRes 422 with the main difference being that AIC is 8-bit and ProRes 422 is 10-bit. Also, Voltaic offers a workflow for cutting AVCHD footage recorded onto DVD's, which Apple isn't supporting now.

So what's AVCHD? If you don't know, you can check out these older posts:
AVCHD Support in FCP
AVC: More Format Wackiness
AVCHD Is a Pro Format

While we're on the topic of AVCHD, Canon has announced a couple of new camcorders, which record in AVCHD using flash memory, as well as a replacement for the popular HV20. Here's the news on that:
"Canon Debuts First High Definition Solid State Camcorders: HF10 and HF100"
"Move Over HV20, Here Comes the Canon HV30"
These flash memory camcorders are really small, and I have hopes that Canon's new camcorders will produced some good looking high-def video. I got to play around with Sony's AVCHD flash memory camcorder the HDR-CX7 recently--could be a decent B-Cam and its size makes it inconspicuous and good for travel.

Camcorderinfo.com's annual list of the best consumer cameras CamInfo Selects 2007 saw Canon take home the top honors. The HV20 was the best camcorder, and the HG10, which records AVCHD to a hard drive, was also honored. Apparently Canon's cameras do a better job of encoding video into AVCHD than either Sony's or Panasonic's camera. This isn't good news for Panasonic because unlike Sony and Canon, Panasonic is trying to use AVCHD in cameras marketed to Pros.

Final Cut Studio Gets New Features, Leopard Support

Apple updated all of the apps in Final Cut Studio with official support for OS 10.5 today (the updates also work with 10.4.11, also out today.) But wait, there's more! If you call now, you'll also get support for some of the new high-def cameras.

The XDCAM EX format is now supported under FCP 6.0.2. So footage from Sony's PMW-EX1 is now supported. AVC-Intra, which Panasonic is using on its high-end cameras, is supported. And JVC's HDV recordings in 720p60 and 720p50 are supported. There looks like there is also more support for progressive recording from Canon's cameras and Sony HVR-V1. Check out the release notes for all of the details.

I looked at the release notes for the other products and nothing jumped out at me. It looks like Color got a lot of bug fixes based on the release notes.

Mike Curtis offers more detail and some commentary on the new features at HDforIndies.com.

AVCHD Support in FCP

The 6.0.1 update for FCP back in June added support for the AVCHD format. There's a document out now from Apple that describes all of the limitations of support (e.g., doesn't work on PowerPC Mac's.) Here's a good write-up on the current status of AVCHD support for FCP.

AVCHD is mainly a consumer-oriented format. Panasonic has actually used AVCHD within its pro line of cameras with the small AG-HSC1U. According to Digital Camcorder News, the Sony HDR-SR7 and HDR-CX7 AVCHD cameras are the most popular camcorders among its visitors. Canon recently introduced a tapeless camcorder HG10 that uses AVCHD to record.

Consumer HD Cameras

Camcorderinfo.com does a great job of reviewing consumer and prosumer camcorders. Check out their "The Great HD Shoot-Out". It seems like the consumer HDV cameras are performing well. They like the new Canon HV-20. They say it has a great image and nice performances features like true 24fps. They also like the Sony HDR HC-7. Panasonic and JVC are trying out some new formats--AVCHD and MPEG-2 respectively--with not as much success as Sony and Canon. For pros, it looks like these cameras could be useful as a cheap B-cam or when something small and/or inconspicuous is desired.

Adam Wilt on HDV Cameras

"The Rashomon Effect" (registration required)

Adam Wilt does a write-up on a comparison of the HVX-200, the Canon XH-A1, and the new Sony HVR-V1. Interesting look at what is being offered in the HDV world. The V1 is an interesting new product that is a strong addition to the current crop of HDV cameras. Adam says that it is very sharp, sharper than the Z1. It has a true 24 frame per second mode (unlike the Canon and the Z1.) And at 24 fps, the V-1 seems to have the sharpest picture in the low-price HD camcorder world. It's also smaller and lighter than the Z-1 and the A1. The big drawback is that it's slower than the other HDV cameras--so either more gain or more light needed when you are not in daylight.

Adam Wilt also wrote a full review of the V1 for DV.com (registartion required.)

Sony Announces sub-10K Tapeless Camcorder

Was it 3 years ago that Sony and Panasonic offered their divergent views on tapeless workflow? Sony touted the Blu-ray optical disc as cheap storage with high-capacity, but offered more expensive cameras. Panasonic's P2 cards were solid-state memory, which allowed a smaller-form factor and cheaper cameras, like the HVX200. But those P2 cards are still pricey, despite plummeting costs for flash memory.

Well, Panasonic isn't wavering from its commitment to P2 with a bunch of new high-end gear, like the AJ-HPX3000 and AJ-HPX500, and the low-end HVX200 is still popular. But Sony is trying out flash memory with a new camera, the XDCAM EX

This is a sub-$8,0000 camera that records onto a new type of flash memory called SxS. Sony will sell SxS, and SanDisk will also sell cards for the camera. It records in a lot of formats 1080 at 60i, 50i, and 24p, and 720 at 60p and 50p, as well as standard-def. The XCAM EX records with the MPEG-2 codec, but I'm not sure what kind of bit-rates. They mention 18mb/s, which is equivalent to HDV. So no indication yet that the quality will be an improvement on the HDV format (one nice thing about the HVX-200 is that it offers DVCProHD, which is a better codec than HDV.) Like the P2, you can get an overcrank effect for good slo-mos.

The XDCAM EX should come out in the fall. The SxS standard was just announced too. So no word on storage pricing. I'm guessing it will start high, like the P2 cards, but I'm hoping it will fall fast with flash giant SanDisk also manufacturing SxS cards.